On July 14, 2015, T magazine assembled some of the artists, writers,
performers, musicians and intellectuals who defined New York’s
inimitable and electrifying cultural scene of the late 1970s and early
’80s. There were longtime friends (and some rivals) in the group, but
overall, the mood was one of celebration. And why not? Every generation
thinks it’s uniquely special, but this generation really is: These are
the people who came to, and stayed in, New York when it was at its
worst, and in so doing, created what was arguably the most important
multidisciplinary artistic movement that the city has ever seen.
Continue reading the main story
Related CoveragThe photographs in this story are by the late Peter
Hujar (1934-87), one of the key figures in New York’s downtown art
scene. Here,
Why Can’t We Stop Talking About New York in the Late 1970s?SEPT. 10, 2015
But while this historic gathering was notable for its presences, it was
equally so for its absences: a whole group of people (the artists David
Wojnarowicz, Peter Hujar, Robert Mapplethorpe, Keith Haring, Tseng
Kwong Chi and Felix Gonzalez-Torres among them) who were lost to AIDS.
Those who remain are survivors — of a plague, of time and, most of all,
of the wonders and the ravages of the era.
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